Elliott Louis Gallery Canadian Fine Art

David Edwards  Bio  ·  


New Paintings – May 2008

This most recent series of paintings is the result of a conscious effort to push the work in new directions. The most obvious difference from the previous series is the inclusion of a variety subjects — interior spaces, architectural and mechanical elements, still life and figures are all beginning to make their way into the images.  More importantly from my perspective is a shift in consciousness — in the way I am looking at, and seeing, the world around me.  I seem to have all but abandoned the former Romantic veil through which I looked at my subjects for a much more practical, straightforward approach.  I am working much more directly from photographs in the new work, and actually striving to retain the feeling of the snapshot in the final image.  I still work at stripping away extraneous detail to get to the heart of the subject, but have allowed myself the luxury of including more information in the new images, thereby defining the spaces in a much more real way.

I am often asked about the various marks or "flashes" that appear in my paintings. It's not always easy to explain why a particular flash appears in a particular painting at a particular time! Very often the addition of a fleck of colour or a scratch or a scribble is purely instinctual -- it's something that just happens as I am in the process of developing a work, something that my subconscious tells me just needs to be there. I think there are probably a number of reasons why this happens, and I'll do my best to try and explain...

One purpose for the marks is as a point of focus. My paintings tend to be quite atmospheric and indistinct, with a deliberate lack of detail. My goal is to provide as much information in a painting with as little specific detail as possible. These unexpected marks are often a means of strengthening a composition, or providing visual interest without bogging the image down with unnecessary details.

My paintings of the land are not landscapes in the traditional sense. By this I mean that they are not intended to be paintings of a specific place. I see them more as plans or sketches for places that have yet to be created. In this context, I see the various marks that appear in my paintings as notations, providing information about the structure of the land, similar to notations found on an architect's blueprint. At times they can refer to specific ideas such as the positioning of a tree, the flight path of a bird, or the direction of a blade of grass. At other times they appear to be simply what remains of the preliminary sketch for the landscape itself.

From a purely practical perspective, the various marks found on the surface of my paintings are little visual "hooks" that grab the viewer's attention. On first glance, my images tend to look quite traditional, but on closer inspection the perceptive viewer will often notice any number of unexpected marks: dashed lines, arrows, and flashes of colour, words, numerals and other marks scratched into the surface of the painting. My hope is that these marks will cause the viewer take a second look at the image, rather than dismiss it as 'just another landscape.'  I would hope this might cause them to ask questions about the image, and possibly come to their own conclusion as to what they feel the marks might mean.




Click on the thumbnails below to view a larger image.

David Edwards - Beyond the Mill - click for larger image

Beyond the Mill
48 x 48 Inches 
oil on panel
$5,400
David Edwards - Fraser Suite No. 1 - click for larger image

Fraser Suite No. 1
60 x 40 Inches 
oil on canvas
$6,000
David Edwards - Across the Valley - click for larger image

Across the Valley
30 x 24 Inches 
oil on panel
$2,400
David Edwards - Urban Landscape - click for larger image

Urban Landscape
30 x 24 Inches 
oil on panel
$2,400
David Edwards - St. George's Suite No. 2 - click for larger image

St. George's Suite No. 2
9 x 11 Inches 
oil on panel
$600
David Edwards - Passing Through - click for larger image

Passing Through
40 x 36 Inches 
oil on canvas
$3,600
David Edwards - Granville & 8th - click for larger image

Granville & 8th
24 x 30 Inches 
oil on panel
$2,400
David Edwards - Hillside - click for larger image

Hillside
30 x 24 Inches 
oil on panel
$2,400
David Edwards - Mitchell Island No. 1 - click for larger image

Mitchell Island No. 1
48 x 48 Inches 
oil on panel
$5,400
David Edwards - St. George's Suite No. 10 - click for larger image

St. George's Suite No. 10
9 x 11 Inches 
oil on panel
$600
David Edwards - As the Light Slopes Through - click for larger image

As the Light Slopes Through
24 x 30 Inches 
oil on panel
$2,400
David Edwards - St. George's Suite No. 12 - click for larger image

St. George's Suite No. 12
9 x 11 Inches 
oil on panel
$600
David Edwards - St. George's Suite No. 14 - click for larger image

St. George's Suite No. 14
9 x 11 Inches 
oil on panel
$600
David Edwards - Winter Games - click for larger image

Winter Games
40 x 60 Inches 
oil on canvas
$6,000
diptych - each panel 40" x 30"
David Edwards - Winter Memory - Blue Gloves - click for larger image

Winter Memory - Blue Gloves
36 x 36 Inches 
oil on canvas
$4,500
David Edwards - Pulp Fiction I - click for larger image

Pulp Fiction I
16 x 16 Inches 
oil on canvas
$1,250
David Edwards - Pulp Fiction II - click for larger image

Pulp Fiction II
16 x 16 Inches 
oil on canvas
$1,250
David Edwards - Floral Study No II - click for larger image

Floral Study No II
16 x 16 Inches 
oil on canvas
$1,250
David Edwards - The Christmas Incident - click for larger image

The Christmas Incident
16 x 16 Inches 
oil on canvas
$1,250
David Edwards - My Father's Gloves - click for larger image

My Father's Gloves
16 x 16 Inches 
oil on canvas
$1,250
Please email the gallery to view more works by David Edwards.


Education
1986 - 1993  Kwantlen College, Fine Arts Diploma Program
1987  BC Post-Secondary Scholarship


Group Exhibitions
2010    Winter, Elliott Louis Gallery, Vancouver
2009   Summer Love, Elliot Louis Gallery, Vancouver


Commissions & Public Acquisitions
2004 Nickelback – The Long Road – CD cover/insert
Numerous and ongoing private commissions


Publications
2007   Edmonton Journal, March 2007
2006   Architectural Digest, December 2006
2006   Canadian House and Home, October 2006
2006   Hello! Canada, November 2006
2004   Style at Home, December 2004
2004   Edmonton Journal, May 14, 2004
2001   Style at Home, December 2001
1998   Peace Arch News, April 29, 1998.
1996   Peace Arch News, April 24, 1996, p. 34.
1994   Jersey Evening Post, June 27, 1994, p. 6.
1994   White Rock Advisor, May 18, 1994, p. 29.


Awards
1995   Jurors’ Selection • Identity ’95 South Fraser River Juried Exhibition
1994   Best Overall • White Rock & South Surrey Art Club Juried Exhibition
1994   Honourable Mention • Identity ’94 South Fraser River Juried Exhibition
1993   Honourable Mention • White Rock & South Surrey Art Club Juried Exhibition


[top of page]

Tel: 604.736.3282   Email: gallery@elliottlouis.com
Copyright 2014 Elliott Louis Gallery Inc.